{"id":388279,"date":"2026-04-25T00:36:17","date_gmt":"2026-04-25T04:36:17","guid":{"rendered":"https:\/\/www.eldiario.net\/portal\/?p=388279"},"modified":"2026-04-24T21:36:54","modified_gmt":"2026-04-25T01:36:54","slug":"afterimage-el-testamento-cinematografico-de-andrzej-wajda","status":"publish","type":"post","link":"https:\/\/www.eldiario.net\/portal\/2026\/04\/25\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\/","title":{"rendered":"\u201cAfterimage\u201d, el testamento cinematogr\u00e1fico de Andrzej Wajda"},"content":{"rendered":"<p>Hoy, a horas 19.00, la Cinemateca Boliviana se convierte en escenario de reflexi\u00f3n sobre la libertad creativa con la proyecci\u00f3n de \u201cAfterimage &#8211; \u00daltimos a\u00f1os del artista\u201d. La funci\u00f3n se realiza en el marco del ciclo La Mejor Pel\u00edcula del Mundo, consolidando un espacio de encuentro entre el cine de culto y el an\u00e1lisis art\u00edstico de primer nivel.<br \/>\n\u201cAfterimage\u201d es la obra p\u00f3stuma de Andrzej Wajda, figura capital del cine europeo y poseedor de premios tan prestigiosos como la Palma de Oro, el Oso de Oro y el \u00d3scar Honor\u00edfico. En este filme, Wajda retrata con sobriedad y maestr\u00eda la lucha de W\u0142adys\u0142aw Strzeminski, un pintor vanguardista que se enfrent\u00f3 a la opresi\u00f3n del r\u00e9gimen estalinista en la Polonia de 1948.<br \/>\nLa pel\u00edcula narra c\u00f3mo Strzeminski, al negarse a comprometer su visi\u00f3n est\u00e9tica con las doctrinas del realismo socialista, es sistem\u00e1ticamente borrado de las instituciones: expulsado de la universidad y retirado de los museos. Con una puesta en escena austera y un uso expresivo del color, la cinta se convierte en un s\u00edmbolo de resistencia contra la tiran\u00eda intelectual y el costo personal de mantenerse fiel a las propias convicciones.<br \/>\nMartina Noriega: Invitada de honor<br \/>\nLa presentaci\u00f3n de esta obra estar\u00e1 a cargo de Martina Noriega, artista contempor\u00e1nea boliviana cuya trayectoria de casi tres d\u00e9cadas dialoga directamente con la tem\u00e1tica del filme. Noriega, licenciada en Artes Pl\u00e1sticas con especialidad en escultura, ha integrado la creaci\u00f3n con la docencia, la investigaci\u00f3n y la gesti\u00f3n cultural.<br \/>\nSu carrera, iniciada en los a\u00f1os 90, incluye reconocimientos internacionales, exposiciones en Argentina, Per\u00fa, Estados Unidos, Rusia y Jap\u00f3n, adem\u00e1s del Primer Premio en la Bienal de Cundinamarca.<br \/>\nSu obra forma parte de la muestra \u201cCreadoras\u201d del Museo Nacional de Arte.<br \/>\nNoriega transita entre la pintura, la cer\u00e1mica, la performance y el video, explorando v\u00ednculos simb\u00f3licos y sociales. Su participaci\u00f3n como invitada de honor permitir\u00e1 un an\u00e1lisis enriquecedor sobre la figura de Strzeminski, desde la perspectiva de una creadora que entiende el arte como un ejercicio de reflexi\u00f3n cr\u00edtica y t\u00e9cnica.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hoy, a horas 19.00, la Cinemateca Boliviana se convierte en escenario de reflexi\u00f3n sobre la libertad creativa con la proyecci\u00f3n de \u201cAfterimage &#8211; \u00daltimos a\u00f1os del artista\u201d. La funci\u00f3n se realiza en el marco del ciclo La Mejor Pel\u00edcula del Mundo, consolidando un espacio de encuentro entre el cine de culto y el an\u00e1lisis art\u00edstico [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":388280,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-388279","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cultural"],"acf":{"antetitulo":"La Mejor Pel\u00edcula del Mundo"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cAfterimage\u201d, el testamento cinematogr\u00e1fico de Andrzej Wajda - El Diario - Bolivia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eldiario.net\/portal\/2026\/04\/25\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cAfterimage\u201d, el testamento cinematogr\u00e1fico de Andrzej Wajda - El Diario - Bolivia\" \/>\n<meta property=\"og:description\" content=\"Hoy, a horas 19.00, la Cinemateca Boliviana se convierte en escenario de reflexi\u00f3n sobre la libertad creativa con la proyecci\u00f3n de \u201cAfterimage &#8211; \u00daltimos a\u00f1os del artista\u201d. La funci\u00f3n se realiza en el marco del ciclo La Mejor Pel\u00edcula del Mundo, consolidando un espacio de encuentro entre el cine de culto y el an\u00e1lisis art\u00edstico [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.eldiario.net\/portal\/2026\/04\/25\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\/\" \/>\n<meta property=\"og:site_name\" content=\"El Diario - Bolivia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/eldiario.bolivia\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-25T04:36:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2026\/04\/PELI.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"765\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Jeanette\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@eldiario_net\" \/>\n<meta name=\"twitter:site\" content=\"@eldiario_net\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeanette\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2026\\\/04\\\/25\\\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2026\\\/04\\\/25\\\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\\\/\"},\"author\":{\"name\":\"Jeanette\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#\\\/schema\\\/person\\\/634255f275431248bb9faa38296b494a\"},\"headline\":\"\u201cAfterimage\u201d, el testamento cinematogr\u00e1fico de Andrzej Wajda\",\"datePublished\":\"2026-04-25T04:36:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2026\\\/04\\\/25\\\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\\\/\"},\"wordCount\":380,\"publisher\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2026\\\/04\\\/25\\\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/PELI.webp\",\"articleSection\":[\"Cultural\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2026\\\/04\\\/25\\\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\\\/\",\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2026\\\/04\\\/25\\\/afterimage-el-testamento-cinematografico-de-andrzej-wajda\\\/\",\"name\":\"\u201cAfterimage\u201d, el testamento cinematogr\u00e1fico de Andrzej Wajda - 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