{"id":217208,"date":"2024-04-28T07:14:24","date_gmt":"2024-04-28T11:14:24","guid":{"rendered":"https:\/\/www.eldiario.net\/portal\/?p=217208"},"modified":"2024-04-28T07:14:24","modified_gmt":"2024-04-28T11:14:24","slug":"la-fotografia-de-profesion-peligro","status":"publish","type":"post","link":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/","title":{"rendered":"La fotograf\u00eda de Profesi\u00f3n Peligro"},"content":{"rendered":"<p>El director David Leitch y el director de fotograf\u00eda Jonathan Sela se conocieron en el set de Midnight Meat Train. Desde entonces, Sela se ha vuelto una fuerza creativa integral en las pel\u00edculas de Leitch, colaborando de manera destacada como el director de fotograf\u00eda de John Wick, Atomic Blonde, Deadpool 2, Fast &#038; Furious Presents: Hobbs &#038; Shaw y Bullet Train.<br \/>\nPara Profesi\u00f3n Peligro, Leitch y Sela se apartaron de su preferencia habitual por una o dos c\u00e1maras y adoptaron un enfoque m\u00e1s naturalista. Utilizaron varias c\u00e1maras, a menudo cinco o seis, junto con lentes largos y m\u00e1s anchos para capturar escenas din\u00e1micas, manteniendo su estilo visual distintivo. Esta decisi\u00f3n facilit\u00f3 la cobertura cruzada, permiti\u00f3 interacciones din\u00e1micas entre los actores y foment\u00f3 un vaiv\u00e9n natural en las escenas.<br \/>\nSela caracteriza el aspecto de la pel\u00edcula como una reminiscencia de una chaqueta de cuero marr\u00f3n desgastada, con el objetivo de evocar un gui\u00f1o nost\u00e1lgico a las d\u00e9cadas de 1980 y 1990.<br \/>\nSela tambi\u00e9n se inspir\u00f3 en el estudio de los colores y la arquitectura en im\u00e1genes art d\u00e9co. Adem\u00e1s busc\u00f3 referencias en pel\u00edculas de Tony Scott incluidas Days of Thunder, Spy Game y Enemy of the State, a manera de fuentes de inspiraci\u00f3n.<br \/>\nProfesi\u00f3n Peligro fue rodada durante el verano en Australia y la fotograf\u00eda se adapt\u00f3 al entorno natural del pa\u00eds. El objetivo era lograr de manera eficiente las condiciones de iluminaci\u00f3n deseadas, como la captura de puestas de sol en el intervalo de tiempo condensado de la puesta de sol real. Sin embargo, el impredecible clima australiano donde las cuatro estaciones se presentan en un mismo d\u00eda a\u00f1adi\u00f3 complejidad al rodaje, principalmente en exteriores.<br \/>\nPara resaltar el contraste inmediato entre la pel\u00edcula principal y Metalstorm, la pel\u00edcula dentro de la pel\u00edcula, Sela emple\u00f3 un aspecto filtrado. Este enfoque, utilizado para la fotograf\u00eda de Metalstorm, enfatiz\u00f3 una paleta de colores singular y visuales estilizados, creando una atm\u00f3sfera \u00e1rida y soleada.<br \/>\nLa coordinaci\u00f3n meticulosa fue crucial para las secuencias de pantalla dividida entre Colt y Jody en Profesi\u00f3n Peligro. Sela y su equipo sincronizaron los movimientos de c\u00e1mara rodados por separado para crear una imagen visualmente fluida que reforzara la idea de que los personajes se encuentran en el mismo plano, a pesar de estar f\u00edsicamente separados.<br \/>\n\r\n                <style type=\"text\/css\">\r\n                    \r\n                    #tdi_1  .td-doubleSlider-2 .td-item1 {\r\n                        background: url(https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-80x60.jpg) 0 0 no-repeat;\r\n                    }\r\n                    #tdi_1  .td-doubleSlider-2 .td-item2 {\r\n                        background: url(https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-80x60.jpg) 0 0 no-repeat;\r\n                    }\r\n                <\/style>\r\n\r\n                <div id=\"tdi_1\" class=\"td-gallery td-slide-on-2-columns\">\r\n                    <div class=\"post_td_gallery\">\r\n                        <div class=\"td-gallery-slide-top\">\r\n                           <div class=\"td-gallery-title\"><\/div>\r\n\r\n                            <div class=\"td-gallery-controls-wrapper\">\r\n                                <div class=\"td-gallery-slide-count\"><span class=\"td-gallery-slide-item-focus\">1<\/span> de 2<\/div>\r\n                                <div class=\"td-gallery-slide-prev-next-but\">\r\n                                    <i class = \"td-icon-left doubleSliderPrevButton\"><\/i>\r\n                                    <i class = \"td-icon-right doubleSliderNextButton\"><\/i>\r\n                                <\/div>\r\n                            <\/div>\r\n                        <\/div>\r\n\r\n                        <div class = \"td-doubleSlider-1 \">\r\n                            <div class = \"td-slider\">\r\n                                \r\n                    <div class = \"td-slide-item td-item1\">\r\n                        <figure class=\"td-slide-galery-figure td-slide-popup-gallery\">\r\n                            <a class=\"slide-gallery-image-link\" href=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg\" title=\"La fotograf\u00eda de Profesi\u00f3n Peligro (2)\"  data-caption=\"\"  data-description=\"\">\r\n                                <img decoding=\"async\" src=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-1006x420.jpg\" srcset=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-1006x420.jpg 1006w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-300x125.jpg 300w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-1024x428.jpg 1024w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-768x321.jpg 768w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-696x291.jpg 696w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2-1068x446.jpg 1068w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg 1200w\" sizes=\"(max-width: 1006px) 100vw, 1006px\" alt=\"\">\r\n                            <\/a>\r\n                            \r\n                        <\/figure>\r\n                    <\/div>\r\n                    <div class = \"td-slide-item td-item2\">\r\n                        <figure class=\"td-slide-galery-figure td-slide-popup-gallery\">\r\n                            <a class=\"slide-gallery-image-link\" href=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro.jpg\" title=\"La fotograf\u00eda de Profesi\u00f3n Peligro\"  data-caption=\"\"  data-description=\"\">\r\n                                <img decoding=\"async\" src=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-1004x420.jpg\" srcset=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-1004x420.jpg 1004w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-300x126.jpg 300w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-1024x428.jpg 1024w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-768x321.jpg 768w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-696x291.jpg 696w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-1068x447.jpg 1068w, https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro.jpg 1200w\" sizes=\"(max-width: 1004px) 100vw, 1004px\" alt=\"\">\r\n                            <\/a>\r\n                            \r\n                        <\/figure>\r\n                    <\/div>\r\n                            <\/div>\r\n                        <\/div>\r\n\r\n                        <div class = \"td-doubleSlider-2\">\r\n                            <div class = \"td-slider\">\r\n                                \r\n                    <div class = \"td-button td-item1\">\r\n                        <div class = \"td-border\"><\/div>\r\n                    <\/div>\r\n                    <div class = \"td-button td-item2\">\r\n                        <div class = \"td-border\"><\/div>\r\n                    <\/div>\r\n                            <\/div>\r\n                        <\/div>\r\n\r\n                    <\/div>\r\n\r\n                <\/div>\r\n                <\/p>\n","protected":false},"excerpt":{"rendered":"<p>El director David Leitch y el director de fotograf\u00eda Jonathan Sela se conocieron en el set de Midnight Meat Train. Desde entonces, Sela se ha vuelto una fuerza creativa integral en las pel\u00edculas de Leitch, colaborando de manera destacada como el director de fotograf\u00eda de John Wick, Atomic Blonde, Deadpool 2, Fast &#038; Furious Presents: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":217209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[45],"tags":[],"class_list":["post-217208","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cine-mundo"],"acf":{"antetitulo":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La fotograf\u00eda de Profesi\u00f3n Peligro - El Diario - Bolivia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La fotograf\u00eda de Profesi\u00f3n Peligro - El Diario - Bolivia\" \/>\n<meta property=\"og:description\" content=\"El director David Leitch y el director de fotograf\u00eda Jonathan Sela se conocieron en el set de Midnight Meat Train. Desde entonces, Sela se ha vuelto una fuerza creativa integral en las pel\u00edculas de Leitch, colaborando de manera destacada como el director de fotograf\u00eda de John Wick, Atomic Blonde, Deadpool 2, Fast &#038; Furious Presents: [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/\" \/>\n<meta property=\"og:site_name\" content=\"El Diario - Bolivia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/eldiario.bolivia\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-04-28T11:14:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"501\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jeanette\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@eldiario_net\" \/>\n<meta name=\"twitter:site\" content=\"@eldiario_net\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeanette\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/\"},\"author\":{\"name\":\"Jeanette\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#\\\/schema\\\/person\\\/2c57cf2b7a7ae032e449e4c9b1019eac\"},\"headline\":\"La fotograf\u00eda de Profesi\u00f3n Peligro\",\"datePublished\":\"2024-04-28T11:14:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/\"},\"wordCount\":425,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/La-fotografia-de-Profesion-Peligro-2.jpg\",\"articleSection\":[\"Cine Mundo\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/\",\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/\",\"name\":\"La fotograf\u00eda de Profesi\u00f3n Peligro - El Diario - Bolivia\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/La-fotografia-de-Profesion-Peligro-2.jpg\",\"datePublished\":\"2024-04-28T11:14:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/La-fotografia-de-Profesion-Peligro-2.jpg\",\"contentUrl\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2024\\\/04\\\/La-fotografia-de-Profesion-Peligro-2.jpg\",\"width\":1200,\"height\":501},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/2024\\\/04\\\/28\\\/la-fotografia-de-profesion-peligro\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La fotograf\u00eda de Profesi\u00f3n Peligro\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#website\",\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/\",\"name\":\"El Diario - Decano de la prensa nacional\",\"description\":\"El Diario - Decano de la prensa nacional\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#organization\",\"name\":\"El Diario - Decano de la prensa nacional\",\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/logo_ED.jpg\",\"contentUrl\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/logo_ED.jpg\",\"width\":272,\"height\":52,\"caption\":\"El Diario - Decano de la prensa nacional\"},\"image\":{\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/eldiario.bolivia\\\/\",\"https:\\\/\\\/x.com\\\/eldiario_net\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/#\\\/schema\\\/person\\\/2c57cf2b7a7ae032e449e4c9b1019eac\",\"name\":\"Jeanette\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3ea2118a5f7dad2b7138b1187a6b7ee55f160b9968b66013c3a3ef39dd7e5798?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3ea2118a5f7dad2b7138b1187a6b7ee55f160b9968b66013c3a3ef39dd7e5798?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3ea2118a5f7dad2b7138b1187a6b7ee55f160b9968b66013c3a3ef39dd7e5798?s=96&d=mm&r=g\",\"caption\":\"Jeanette\"},\"sameAs\":[\"https:\\\/\\\/www.eldiario.net\\\/portal\"],\"url\":\"https:\\\/\\\/www.eldiario.net\\\/portal\\\/author\\\/jeanette\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La fotograf\u00eda de Profesi\u00f3n Peligro - El Diario - Bolivia","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/","og_locale":"es_ES","og_type":"article","og_title":"La fotograf\u00eda de Profesi\u00f3n Peligro - El Diario - Bolivia","og_description":"El director David Leitch y el director de fotograf\u00eda Jonathan Sela se conocieron en el set de Midnight Meat Train. Desde entonces, Sela se ha vuelto una fuerza creativa integral en las pel\u00edculas de Leitch, colaborando de manera destacada como el director de fotograf\u00eda de John Wick, Atomic Blonde, Deadpool 2, Fast &#038; Furious Presents: [&hellip;]","og_url":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/","og_site_name":"El Diario - Bolivia","article_publisher":"https:\/\/www.facebook.com\/eldiario.bolivia\/","article_published_time":"2024-04-28T11:14:24+00:00","og_image":[{"width":1200,"height":501,"url":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg","type":"image\/jpeg"}],"author":"Jeanette","twitter_card":"summary_large_image","twitter_creator":"@eldiario_net","twitter_site":"@eldiario_net","twitter_misc":{"Escrito por":"Jeanette","Tiempo de lectura":"1 minuto"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#article","isPartOf":{"@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/"},"author":{"name":"Jeanette","@id":"https:\/\/www.eldiario.net\/portal\/#\/schema\/person\/2c57cf2b7a7ae032e449e4c9b1019eac"},"headline":"La fotograf\u00eda de Profesi\u00f3n Peligro","datePublished":"2024-04-28T11:14:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/"},"wordCount":425,"commentCount":0,"publisher":{"@id":"https:\/\/www.eldiario.net\/portal\/#organization"},"image":{"@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#primaryimage"},"thumbnailUrl":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg","articleSection":["Cine Mundo"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/","url":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/","name":"La fotograf\u00eda de Profesi\u00f3n Peligro - El Diario - Bolivia","isPartOf":{"@id":"https:\/\/www.eldiario.net\/portal\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#primaryimage"},"image":{"@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#primaryimage"},"thumbnailUrl":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg","datePublished":"2024-04-28T11:14:24+00:00","breadcrumb":{"@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#primaryimage","url":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg","contentUrl":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2024\/04\/La-fotografia-de-Profesion-Peligro-2.jpg","width":1200,"height":501},{"@type":"BreadcrumbList","@id":"https:\/\/www.eldiario.net\/portal\/2024\/04\/28\/la-fotografia-de-profesion-peligro\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.eldiario.net\/portal\/"},{"@type":"ListItem","position":2,"name":"La fotograf\u00eda de Profesi\u00f3n Peligro"}]},{"@type":"WebSite","@id":"https:\/\/www.eldiario.net\/portal\/#website","url":"https:\/\/www.eldiario.net\/portal\/","name":"El Diario - Decano de la prensa nacional","description":"El Diario - Decano de la prensa nacional","publisher":{"@id":"https:\/\/www.eldiario.net\/portal\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.eldiario.net\/portal\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.eldiario.net\/portal\/#organization","name":"El Diario - Decano de la prensa nacional","url":"https:\/\/www.eldiario.net\/portal\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.eldiario.net\/portal\/#\/schema\/logo\/image\/","url":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2023\/07\/logo_ED.jpg","contentUrl":"https:\/\/www.eldiario.net\/portal\/wp-content\/uploads\/2023\/07\/logo_ED.jpg","width":272,"height":52,"caption":"El Diario - Decano de la prensa nacional"},"image":{"@id":"https:\/\/www.eldiario.net\/portal\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/eldiario.bolivia\/","https:\/\/x.com\/eldiario_net"]},{"@type":"Person","@id":"https:\/\/www.eldiario.net\/portal\/#\/schema\/person\/2c57cf2b7a7ae032e449e4c9b1019eac","name":"Jeanette","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/3ea2118a5f7dad2b7138b1187a6b7ee55f160b9968b66013c3a3ef39dd7e5798?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3ea2118a5f7dad2b7138b1187a6b7ee55f160b9968b66013c3a3ef39dd7e5798?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3ea2118a5f7dad2b7138b1187a6b7ee55f160b9968b66013c3a3ef39dd7e5798?s=96&d=mm&r=g","caption":"Jeanette"},"sameAs":["https:\/\/www.eldiario.net\/portal"],"url":"https:\/\/www.eldiario.net\/portal\/author\/jeanette\/"}]}},"_links":{"self":[{"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/posts\/217208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/comments?post=217208"}],"version-history":[{"count":1,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/posts\/217208\/revisions"}],"predecessor-version":[{"id":217211,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/posts\/217208\/revisions\/217211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/media\/217209"}],"wp:attachment":[{"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/media?parent=217208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/categories?post=217208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eldiario.net\/portal\/wp-json\/wp\/v2\/tags?post=217208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}